Kingsman: The Secret Service tells the tale of an Arthurian-themed organisation of ‘gentlemen agents’ who fight for global stability and world peace.
J.C. Chandor’s latest film A Most Violent Year follows the trials and tribulations of the Oscar Isaac shaped entrepreneur Abel Morales.
Ex Machina bears witness to the ultimate Turing test, but who’s testing who in Alex Garland’s new sci-fi thriller?
Peter Jackson’s The Hobbit: The Battle Of The Five Armies finally brings us to the end of this very long middle earth road.
Saw the brilliant new Alejandro Iñárritu film Birdman last night, and it’s easily one of the best films of this – or rather next – year.
Horrible Bosses 2 picks up with our central trio, Nick, Kurt and Dale, now on the verge of going into business themselves and taking the enviable step of becoming their own boss.
Mood Indigo are two words you don’t often see put together. Which is appropriate, as I’ve never seen a film put together quite like Michel Gondry’s latest movie of the same name.
The living deity that is Bill Murray has a new film coming out next month, and appropriately enough it’s called St Vincent.
Kevin Kline plays a fifty-something multiple divorcee with a string of unpublished novels behind him in Israel Horowitz’s adaptation of his own stage play, My Old Lady.
It was just a matter of time before Hollywood got round to telling the story of The Godfather of Soul, and that’s exactly what happens in the James Brown shaped Get On Up.
Eclectic act Siro-A are Japan’s answer to the Blue Man Group, crossed with a live action video game.
Do we really want our media to suckle at the teat of an octogenarian Australian with an unfathomably hot wife? This is the argument Andrew Whyment’s Long Story Short explores.
Richard Crawford brings his Secret Theatre experience to London this month, with this British spin on the infamous Quentin Tarantino film Reservoir Dogs.
!950’s London, flamboyantly attired Nazi’s, political stands and the universal language of true love, it’s all here in writer Alexi Kaye Campbell’s The Pride.
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